Charles Goldman
| EDUCATION | |
| 1996 | MFA, Studio Arts, University of Illinois at Chicago, Chicago, Illinois |
| 1990 | B.A., American Studies and Studio Arts, University of California Santa Cruz, Santa Cruz, California |
| ONE-PERSON EXHIBITIONS | |
| 2002 | Traywick Gallery, Between Days, Berkeley, California Rare, Nearer, Further, Closer, New York, NY Toronto Sculpture Garden, Intersecting Orbits, , Toronto, Ontario, Canada Studio 5B, Dingercity, Brooklyn, NY |
| 2000 | SculptureCenter, Elsewhere, New York, NY Hallwalls Inc., 33 Revolutions Per Minute, Buffalo, NY |
| 1998 | De Chiara/ Stewart, Scrapwood (New York City), New York, NY The Chicago Project Room, Scrapwood (Chicago), Chicago, IL |
| 1997 | Correct C.E., 2 x 4 x 8 x , curated by Heidi Zuckerman Jacobson, New York, NY |
| 1996 | Southern Exposure, 3045, San Francisco, CA |
| 1994 | New Performance Gallery, Nose Flowers (for Mother), San Francisco, CA Refusalon, Drawings, curated by Charles Linder, San Francisco, CA |
| 1990 | J.B. Hall Gallery, Painting and Other Work, Santa Cruz, CA |
| TWO-PERSON EXHIBITIONS | |
| 2001 | No Name Exhibitions @ The Soap Factory, 48 Hours with Harrell Fletcher, Minneapolis, MN A.R.T. Inc., Paintings and Walls with Arnold Goldman, New York, NY |
| 1999 | Rare, Far From The Soil with Gay Outlaw, New York, NY |
| 1997 | A.R.T. Inc., Conversation with Stephanie Snider, New York, NY |
| 1996 | Gallery 400, Here But Not Here with Helen Mirra, Chicago, IL |
| 1995 | Horodner-Romley Gallery, Jim Charter and Charles Goldman, New York, NY |
| GROUP EXHIBITIONS | |
| 2002 | Free Gallery, Majority Rules, curated by Tara McDowell and Letha Wilson, Glasgow, Scotland Exit Art, Reactions, New York, NY |
| 2001 | Gallery 400, R.P.M., curated by Lorelei Stewart, Chicago, IL Centro Cultural Molino de Perez, I, Me, My, curated by Alejandro Cesarco, Montevideo, Uruguay The Brewster Project, curated by Mauricio Laffitte-Soler, Brewster, NY Socrates Sculpture Park, Beyond City Limits, curated by Alyson Baker, Queens, NY 69a, These Things I Know For Sure, curated by Harrell Fletcher, San Francisco, CA |
| 2000 | The Living Room, Almost, curated by Regine Basha, , Los Angeles, CA Smack Mellon Studios, White Hot, curated by Regine Basha and Moukhtar Kocache, Brooklyn, NY Longwood Arts Gallery, Some Assembly Inspired, curated by Rob Blackson, Bronx, NY I space, thinline, Chicago, IL |
| 1999 | The Jewish Museum, Making Change ,curated by Deborah Gar Reichman, San Francisco, CA Ramapo College of New Jersey, New Berrie Center for Visual and Performing Arts, If You Build It, They Will Come, curated by Jason Middlebrook, Mahwah, NJ Southern Exposure, Survivalist, curated by Harrell Fletcher and Mary Tsionges, San Francisco, CA Transamerica Pyramid Lobby, Structural Elements, San Francisco, CA The Bellevue Art Museum, The Self, Absorbed, curated by Brian Wallace, Bellevue, WA Empire-Fulton State Park, Intervistas/ Between the Bridges, curated by Lorainne Walsh, Brooklyn, NY Ottawa Art Gallery, In All the Wrong Places, curated by Sylvie Fortin, Ottawa, Ontario, Canada Point State Park, The Carnegie Institute/ Three Rivers Arts Festival, curated by Sara Kellner, Pittsburgh, PA Rudolph-Poissant Gallery, Horizontal Vertigo, curated by Joan Linder, Houston, TX Three Day Weekend, Friends and Neighbors, curated by John Tevis, Los Angeles, CA |
| 1998 | 57 Hope, No Budget, curated by Chris Murray and Kris Berube, Brooklyn, NY, traveling May 17, 1998, curated by Regine Basha, Christoph Gerozissis and Anton Vidolke, Cold Spring, NY Center Gallery, Bucknell University, Relay: Hand, Eye, Other, curated by Stuart Horodner and Sara Kellner, Lewisburg, PA, traveling Longwood Arts Gallery, Demolition/Construction, curated by Eddie Torres, Bronx, NY Space 2-D, Fold It Into a Box…, New York, NY |
| 1997 | White Columns, Killing Time, curated by Paul Ha, New York, NY Clemintine Gallery, Fragments of Time, curated by Omar Lopez-Chahoud, New York, NY Paco das Artes, Existing Things, curated by Anton Vidolke, Sao Paolo, Brazil 498 Court Street, Hold It Now… Hit It,curated by Derek Eller, Brooklyn , NY |
| 1996 | Gallery 312, Untitled, curated by Rhona Hoffman and Irene Siegal, Chicago, IL Randolph Street Gallery, Profiles, Chicago, IL |
| 1995 | N.A.M.E., Undertow, curated by Alison Ruttan, Chicago, IL New Works Gallery, Blender, Chicago, IL Sesnon Gallery, Current Work, curated by Andrea Hesse, Santa Cruz, CA |
| 1994 |
Hello Artichoke, New Directions in the 90's, curated by Maurice Tuchman, Los Angeles, CA Intersection for the Arts , Object, curated by Armando Rascon, San Francisco, CA |
| 1993 | Victoria Room, To Excess, curated by Anastasia Shartin , San Francisco, CA |
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Curatorial Projects: Making the Making, Apex Art C.P., New York, NY, 2001 |
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Public Collections: Microsoft Corporation, Redmond, WA Brooklyn Museum of Art, Brooklyn, NY Film Library, The University of Illinois at Chicago, Chicago, IL Berkeley Art Museum, Berkeley, CA |
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